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Rosewood Volume One

Bill Nelson

album - 25 May 2005

Rosewood 1 - Cover


01)  Blues For Orpheus

02)  Escondido Oleander

03)  Lumia

04)  Filament

05)  Lacuna

06)  Cascade (Improvisation For Three Harp Guitars)

07)  She Swings Skirt

08)  Mexico City Dream (For Gil Evans)

09)  Ventura

10)  The Girl In The Park In The Rain

11)  Apollonian Tremolo

12)  Giant Hawaiian Showboat

13)  Cremona

14)  The Land Of Lost Time

15)  Sleepless In The Ticking Dark


Rosewood Volume One is an album of acoustic guitar instrumentals issued in a single pressing of 1000 copies. The CD gave birth to the Sonoluxe label, which Nelson has continued with for his major releases, including reissues and digital download compilations.

The album was the first to be issued after the launch of Nelson's official website Dreamsville, which went live in April 2005. Sales of Rosewood benefited from an increased profile provided by the website's forum, The Dreamsville Inn, to which Nelson is an avid contributor. The combination of having easy access to the artist, and the reliable and dedicated staff of the Sound of Sound website, created an enticing and reassuring combination for fans of Nelson's music.


Available for purchase as a digital download here in the Dreamsville Store.

Rosewood Two, And We Fell Into A Dream
, Quiet Bells, Dreamland to Starboard, Illuminated At Dusk,

Silvertone Fountains, Neptune's Galaxy, New Northern Dream


"The two Rosewood albums are amongst my proudest achievements, particularly Volume One which still manages to surprise me when I hear it. For me, this is one of those few albums of mine that I'd rescue from the metaphorical burning building. An album I can listen to with the warm glow of satisfaction."

"It was the slightly off-centre American acoustic guitar players such as John Fahey and Leo Kottke that ultimately inspired me the most. I also was immersed in blues music as a late teen, not just the modern, urban electric blues but rootsier country blues too... (Tampa Red became a favourite, amongst others). Rosewood's roots are firmly planted in such left of centre inspirations, rather than the style of more popularly regarded virtuoso acoustic guitarists."

"Cascade": "The entire track is made up of a harp guitar multi-tracked three times. The harp guitar belonged to Brendan Croker of the 'Nottinghillbillies' who let me borrow it for a few days. A beautiful instrument hand made by York master luthier Ralph Bown."

"One of the reasons I'm so proud of Rosewood is because it's one of the few albums I've made that has actually hit my personal creative bullseye and achieved what I intended it to do. As Harold Budd said to me when he first heard it...'Now THAT'S the album you've always wanted to make!' Harold loved it and that's praise enough for me."


John Izzard:

"The acoustic guitar is such an open, honest instrument - almost naked - and it's used here with exquisite taste and in such a beautifully innovative way.

"As much as I love the lush, decorative arrangements of the previous few albums, which suit the generally bigger sound, I'm struck by the lighter touches employed here.
'Craftsmanship' is an overworked - and often undeserved term, but here it is almost an understatement...

"I had high expectations for Rosewood. They've just been exceeded."


"In my opinion its one of the most beautiful selection of pieces of music I've ever had the pleasure of listening to, an absolute joy to the ear. Its warmth and simplicity are wonderful. Julie and Faye (16 weeks old today) are equally impressed (I've just been playing it in the car) - Julie commented that it was beautiful and calming and Faye 'cooed' with delight. A fabulous CD I'd recommend to everyone."


"Beautiful piece of work...Another great chapter in the ever evolving life of Bill Nelson. Mr Nelson never ceases to amaze me. Definitely the most versatile artist I know of. Keep up the good work."

steve lyles:

"Listening to Rosewood vol 1 and it hit me (not for the first time) that Bill Nelson's music is so beautifully honest and direct. It doesn't try to be another's work - it's not money or fame motivated. It is "musical...well expressionism" in its highest form."

"Absolutely beautiful emotive music."

Alan Cawthorne:

"I don't think I've heard a more original, relaxing and beautiful album in a long time...Nice to hear intelligently thought out and written pieces."

Radium Girl:

"Rosewood Vol.1 is one of the most gorgeous sonic masterpieces ever!"


"Sounds fantastic. Very beautifully produced, guitars sound gorgeous, tunes are, well, beautiful and gorgeous!!! (Need to check out thesaurus methinks...). It sounds so full of emotion and melody."


"I know it sounds corny but...just like a good wine...the man's strumming and technique seems to just get better with age!  Amazed and impressed with the "feeling and maturing" of his style on this one! Somewhere Bill Frissell, Fred Frith, and Django Reinhardt are smiling after listening to this monster!!! But the really cool part about it is that was just my first listen. It's only going to get better with every fleeting listen! I'm floored Bill."

Peter Roche:

"I haven't played number 2 yet, as I can't get off number 1. It is my favourite BN CD to date. The electronic additions, for me, add a great deal of texture and greater depth than would be there if it were absent. I would like to wax lyrical about it, but don't know what to say, except it's brilliant. Thanks."


"Escondido Oleander": "impressed me...although the beauty of the entire album is evident...the atmosphere of the CD is spiritual almost all of the time, probably with the exception of "She Swings Skirt", maybe some distraction during a meditative state...The sound of the acoustic guitars, full of harmonics, is simply wonderful."


"Lush like a field of wheat in a gentle breeze..."Filament", what a perfect title for what I heard...
"Escondido Oleander" is absolutely hypnotic; felt transported back 30 years. I remember this little creek that ran by my house in California. It was lined with oleanders; I used to go there with a cold soda and lay in the shade and listen to the sounds of the creek and the life it held. I don't know how much thought Bill puts in to some or all of his titles, but there are plenty that seem to fit like a glove; it seems like the more I listen to his work, the more appropriate the titles become."


"Not like anything else in the collection. Do we ever worry when we buy a Bill Nelson creation? I think not."


"Glad I took the day off work. The postman decided he couldn't fit the CD package through my letter box and was heading off down the road. I had to chase after him but it was worth it. Just listened to Rosewood for the first time and it sounds great. Very laid back - my wife might even like it!!"


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