Hi, Peter, The link worked when I copied and pasted it. Love the long dreamy intro, the whole song has a great cinematic breadth. Bravo! I'm also really glad to see Strange Girl posted. It's such a great song and I have played it frequently since we did the Projects. I've added it to a couple of my spotify Playlists.

I still have several Soundclick pages active, but haven't uploaded anything there for ages. For Electric Angels, BobK and I like Bandcamp for albums, and use Reverbnation for singles, and Soundcloud for singles and Odds and Ends. Core Ten and The Symbolists, with Carole, are on Bandcamp. You can get stuff on Spotify, but that requires uploading for a feee through a distributor like CD Baby.

Hey, Alec, you even got your email read by Martin in the closing minutes of the podcast! Sweet!

I cannot wait to listen! I've been listening to the podcast for a couple of years now and Ware, despite talking over his guests, has had conducted some fabulous interviews. Toyah, Tony Visconti and Nile Rogers have been standouts. Really looking forwar dto hearing Bill!

March 1977, I took the bus out from New York with 3 friends from college, all on the rumor that Robert Fripp would be playing with Gabriel. I expected not to like Televsion, and I recall the audience was hostile. But they won us over. I bought Marquee Moon a few days later. I still listen to it regularly, but Gabrile's first solo album? Never. And Fripp? The opening unmistakable guitar tone exploding from a dark stage. The lights come up and "where the hell is Fripp? It turns out he played behind a curtain the entire show.

I first saw Television opening for Peter Gabriel in New Jersey in 1977. I went in knowing nothing and leaving a fan. I next saw them, (without Richard Lloyd) about 5 years ago,; they were brilliant still. That was perhaps the greatest gap in time I have had between seeing a band perform live. Verlaine, was pivotal, important and from what I have read, a lovely guy. It's a sad loss.

Done. Thanks for doing this Bill. I've given to Uktanine relief to the International Red Cross and Medecins sans Frontiers, but this sounds like a worthy organization. Delighted to get new nusic from you as well.

It should be obvious by now that I have a weakness for monumental neo-classicism.😎

Étienne-Louis Boullée's, Deuxieme projet pour la Bibliothèque du Roi (Second project for a Royal Library), 1785.

I have always been transfixed by the work of the French Visionary Architects of the Enlightenment. Let's start with Étienne-Louis Boullée's Cenotaph for Sir Isaac Newton, 1784.

@Alec , it was a remarkable series. It completely captured the flavor of the book. The scene of Charles Ryder and Julia Marchmain strolling the deck of their Ocean liner in a storm-tossed sea was for me, the most romantic moment I seen on film.

House of the Temple, Scottish Rite Masonic temple in Washington, D.C., United States, Architect, John Russell Pope, 1911-1915 A masterpiece by the last great practitioner of the American Renaissance.

@Alec I think that is what makes Hawksmoor so remarkable. He uses the language of Classicism, which has a prescribed set of rules-guidelines is perhaps a better word-in a non-canonical way. He was inventative, fantastic, sculptural and wholly original.

I was transported by the brilliant TV production of Evelyn Waugh's Brideshead Revisited in the early '80s. The scene of Lord Marchmain's funeral procession approaching Hawksmoor's severe and somber Mausoleum at Castle Howard, (in Yorkshire, an estate Bill writes about visiting often), was one of the most influential images of my impending architectural career.

St George's Bloomsbury (1716–1731)

St. Mary, Woolnoth, 1716-23

To throw in some more, I was captivated the first time I saw images on Nicholas Hawksmoor's churches in London projected on a screen in a dark lecture hall. They were the first buildings I went to see went I first went to London. Christchurch, Spitalfields, 1714-29

A sad loss; not a brilliant building, but an interesting one and certainly evocative of a time when Modernity was somehting to look forward to rather than fear. I like the way idt addresses the corner. It's a good, though not contextual building.

@Alec , I hadn't really thought of that, but it's pretty obvious now that I see it. The stepped gables are typical around the Baltic and are often called Hanseatic Stepped Gables. They are also a common feature on the towers of Danish and Swedish churches. In this case, I think Klint was exaggerating and celebrating the form and making a reference to a bank of organ pipes as well.

@Alec , I think any building with a drum without dome bears similariy. Within the context of an architectural education 40 years ago, we would have been told "they share a formal typology."